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Models (left to right): Luciana Curtis, Lana Ogilvie, Niki Taylor, Rachel Hunter & Nora Ariffin
Models (left to right): Luciana Curtis, Tyra Banks, Rachel Hunter, Niki Taylor & Nora Ariffin
Models: Sonny Zhou (IMG), Sharon Van de Pas (IMG) & Unknown Male Model
Models: Noma Han (Red) & Others
Models: Tao Okamoto (Ford)
Models: Jiang Xiao Yi (Silent), Ruby Aldridge (Next) & Chrishell Stubbs (Supreme)
No one would have expected anything less from one of fashion’s most irreverent and ostentatious (and proudly so!) designer today. Jeremy Scott, the American designer with a penchant for playing off pop-culture and icons with conspicuous bravado, sending Mickey Mouse gloves, sunglasses and Flintstone dresses down the runway, has laced his pop rocks fashion with speed a la the late eighties, plus a generous dose of Warhol swagger. Jeremy Scott’s Fall/Winter 2010 collection, Hanger Appeal, is a homage to fashion itself, and the tribute is quite literal with monochrome oversize batwing sweaters that spell out “STYLE” and “FASHION” with arms extended. The designer toys with silhouette and design convention with a stunning high-cut black cocktail dress with a beautifully ruched sweetheart neckline and a sweeping train which is actually a satin slip, hanging off a golden Jeremy Scott hanger. Models strapped to wide belts featuring life-size model cut-outs strut insouciantly to Estelle’s new single championing “I can be a freak, everyday of every week”, turning their noses up against the confinements of “wearability”.
The psychedelic beats striate a collection of fragmented inspiration that come together in an uncanny harmony also known as “Jeremy Scott wants you to look at me”. Tough motorcycle jackets are bejeweled liberally with Jolly Rancher lucite tones; crucifixes dangle off opulent velvet jumpsuits and stained glass motifs further the religious (or sacrilegious) theme, drawing a strange mix of 80s and the church.
Unlike the previous season, pop culture references are less blatant but when a model marched out with nothing but cone-bra suspenders, and another in a black tube dress accented with larger-than-life bow trailing in the back, one cannot help but think, ah, Madonna. Brass plate Jeremy Scott printed tops and bubble hemmed coats are reminiscent of the Versace and Gaultier in the early noughties.
As usual, over-the-top, unapologetic and outrageous designs become admirable traits with Scott’s blaze and stands out as one of those presentations that injects a much needed sense of ridiculous joy into New York Fashion Week, and are for those who aren’t afraid of the spotlight and game for come what may.
New York Fashion Week’s latest British expat, Simon Spurr, has a flair for creating classic suits with a bold, modern edge a la the Lower East Side, adding rakish slim cuts and an opulent sheen to his charming Savile Row double breasted suits. While the designer had highly applauded presentations during New York Fashion Week, this is the first time Spurr is showing his eponymous line on the runway. Fall/Winter 2010 departs from Spurr’s romantically languid Spring/Summer 2010 collection (topped with spring blooms) inspired by the 60s and 70s with a rebellious streak. The British designer brought his knack for fine, luxurious tailoring from his apprenticeship under Hedi Slimane at YSL and work as design director for Ralph Lauren’s Purple and Black labels to his namesake line. Fusing Slimane’s penchant for everything dapper and rock-and-roll skinny, the fresh collection from SIMON SPURR is a series of double breasted three piece suits in daringly fitted silhouette. Navy and neutrals dominated the collection where materials and styles are mixed freely. A tan motorcycle biker jacket is topped over a shiny pair of slim cut navy pants, suits are sartorially valiant in dark candy stripes and preppy bubble gum pink. School boy toggle coats are quite bad-ass with leather shoulder panels and black piping evoke a sense of nostalgia for rockers who suit-up (think The Beatles and the recent Pete Wentz from Fall Out Boy).
Models: Hyoni Kang (Ford) & Others
Model: Yasmeen Ghauri
Models: Rojam Wang (??), Oleg Antosik (VNY), Lara Stone (IMG) & Abby Lee Kershaw (Next)
Models: Allen Tsai (Next) & Others
Behnaz Sarafpour
Marc Jacobs
Alexander Wang
All in Roberto Cavalli collection for fall winter 2009 2010 in Milan Fashion Week was chic and luxury. He finally forgot leopard print and certainly stands out. Black leather mini skirts and dresses complete with studded hardware declared war on the financial crisis.
Borderline funny footwear was juxatposed with very serious clothing in fall winter 2009 2010 Prada collection, including boiled wool coats paired with slit skirts, a V-necked fur tunic in an ominous shade of blood red, and even a pair of brick-colored mink bloomers.
It seems that citrus-y colors like soft lemons and deep oranges will be among the trends for spring summer 2010. Flowing fabrics bring an ethereal look. These evening dresses are easy to wear and look great on all body types.
The collection of BCBG dresses for spring summer 2010 was as expected, youthful, sexy and fabulous.
This is one of the trends for fall winter 2009 2010: black turtlenecks under color. This look adds drama and depth to outfits that might otherwise look flighty, out of season, or just too optimistic.
Models: Hyoni Kang (Ford), Noma Han (Red) & Others
Even Oscar De La Renta sold the magnetic attraction dell’iPad. The presentation of the group Cruise 2011 the designer becomes the backdrop for presenting its cover custom tablet devoted to the most loved by technology experts. Who knows that among the geeks do not even hide some gentle maiden, must have contemplation De La Renta that even with this group remains a pillar of fashion made in the USA. Oscar De La Renta is yet one of the cornerstones of fashion made in the USA. His continuing search for elegance and femininity. That is renewed every collection, every year that passes makes it one of the few certainties of the American fashion industry.
But regardless these securities, the stylist American does not rest on their laurels, striving ever to give a twist of modernity and innovation in every collection.
But the collection Resort 2011 Oscar De La Renta is a classic expression of his trend. Great players are as ever beautiful dresses evening, the complete skirts and gauzy that looks motivated by the princesses of fairy tales. A contemporary princess, although, is beloved by stylist; opting dresses from the palette that sees bold colors like red and green dominate.
Embroidery compex flowery prints and colorful define compex new look of American women of high society who have ever valued the trend De La Renta. Suit Chanel model, cocktail clothes, but also seem Navy lively trend from the palette.
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