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What worked best was a series of remarkable skirts in three different cuts, the largest a dimple A-line, most brilliantly in hard leather. “We wanted from dowdy to sexy in the skirts and we achieved that,” said Jacobs.
The designer also sent out lots of curvy, big-button jackets cut with peplum hems that were the epitome of feminine gentility, wide A-line coats in boucle wool and some very charming printed floral organza dresses.
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